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Great Curtain Raisers With Lives Of Their Own |
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| A1 |
“Leonore Overture No. 3, ” Op. 27 |
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| A2 |
“Der Freischütz”: Overture |
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A Magnificent Symphony Without A Publisher |
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Symphony No. 5 In B Flat Major, D485 |
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| B1 |
First Movement: Allegro |
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| B2 |
Second Movement: Andante Con Moto |
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| B3 |
Third Movement: Menuetto (Allegro Molto) And Trio |
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| B4 |
Fourth Movement: Allegro Vivace |
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Unrequited Love, Star Vehicles |
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| C1 |
Songs From “Die Schöne Müllerin”, D. 795: Wohin? Der Neugierige Mein! Trokne Blumen |
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Concerto: No. 4 In G Major, Op. 58 |
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| C2 |
First Movement: Allegro Moderato |
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| D1 |
Second Movement: Andante Con Molto–Third Movment: Rondo Vivace |
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Sonata No. 27 In E Minor, Op. 90 |
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| D2 |
First Movement: Mit Lebhaftgkeit Und Durchaus Mit Empfindung Und Ausdruck–Second Movement: Nicht Zu Geschwind Und Sehr Singbar Vorzutragen |
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Gaiety And Wit From An Operatic Genius |
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Selections From “The Barber Of Seville”: Act 1 |
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| E1 |
Largo Al Factotum |
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| E2 |
Una Voce Poco Fa |
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| E3 |
La Calunnia |
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| E4 |
Dunque Io Son |
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Act 2 |
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| E5 |
Buona Sera |
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| E6 |
Finale: Di Si Felice Innesto |
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Total Mastery Heralding The Future |
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Quartet No. 16 In F Major, Op. 135 |
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| F1 |
First Movement: Allegretto |
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| F2 |
Second Movement: Vivace |
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| F3 |
Third Movement: Leno Assai, Cantante E Tranquillo |
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| F4 |
Fourth Movement: “The Difficult Resolution” (Grave, Ma Non Troppo Tratto–Allegro) |
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Heroic Epitaph For Lost Illusions |
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Symphony No. 3 In E Flat Major, Op. 55 (“Eroica”) |
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| G1 |
First Movement: Allegro Con Brio |
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| G2 |
Second Movement: Marcia Funebre (Adagio Assai) (Beginning) |
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| H1 |
Second Movement: Marcia Funebre (Adagio Assai) (Conclusion) |
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| H2 |
Third Movement: Scherzo (Allegro Vivace) And Trio |
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| H3 |
Fourth Movement: Finale (Allegro Molto-Poco Andante-Presto) |
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