Showing 22–42 of 90 results
| A | Born Every Minute | |
| B1 | Living On The Ceiling | |
| B2 | Sad Day (Excerpt) |
| A1 | Black Is Black | |
| A2 | Freedom | |
| A3 | Taka Taka Ta | |
| A4 | Reach Out (I’ll Be There) | |
| A5 | I Say A Little Prayer | |
| A6 | Etude In The Form Of Rhythm And Blues | |
| B1 | Lady Madonna | |
| B2 | Puppet On A String | |
| B3 | Soley, Soley | |
| B4 | Freedom Come, Freedom Go | |
| B5 | A Banda | |
| B6 | Winchester Cathedral |
| From Disc One “Begin Here” & Singles | ||
| 1 | She’s Not There | |
| 2 | Tell Her No | |
| 3 | I Love You | |
| 4 | She Does Everything For Me | |
| From Disc Two: “Odessey & Oracle” & The Lost Album | ||
| 5 | Time Of The Season | |
| 6 | Care Of Cell 44 | |
| 7 | Friends Of Mine | |
| 8 | If It Don’t Work Out | |
| From Disc Three: In The Studio: Rare & Unissued | ||
| 9 | Summertime (demo) | |
| 10 | Nothing’s Changed | |
| 11 | I’ll Keep Trying (undubbed) | |
| 12 | One Day I’ll Say Goodbye (home demo) | |
| ZOMBIES INTERVIEW | ||
| 13 | What Were The Circumstances Of The Zombies Coming Together? | |
| 14 | What Musical Influences Shaped The Style Of The Group? How And Why Did You Start Coming Up With Original Material? | |
| 15 | What Are Your Recollections Of The Band’s Early Days, The Herts Beat Contest And The Subsequent Rise To Fame? | |
| 16 | Did The Sucess Of ‘She’s Not There’ Take You By Surprise? | |
| 17 | What Was It Like To Be Pop Stars In The Beatlemania Era? How Did The Audiences In America Differ From Those In Europe? | |
| 18 | How Did It Feel To Be Successful Abroad – Say, As In The Philippines – And Yet With Less And Less Response To Your Records At Home? Any Explanation As To That Lack Of Success? | |
| 19 | What Precipitated The Decision To Produce “Odessey & Oracle” Yourselves? What Was The Mood Of The Group During The Sessions? | |
| 20 | When The Group Split, Was There Any Doubts Or Regrets In Anyone’s Mind? Were These Affected By The Massive ‘Posthumous’ Success Of ‘Time Of The Season’? | |
| 21 | How Do You Feel About The Zombies’ Recorded Legacy Thirty Years On? And Are You Surprised At The Continued Influence And Appreciation For That Legacy? | |
| 22 | Finally, Any Specific Comments On The Unreleased Material That Is Included In “Zombie Heaven”? How Does It Feel To Be Able To View The Group’s Work Retrospectively In This Way? |
| 1 | Piano Concerto In C | |
| 2 | Brandenburg Concertos | |
| 3 | Hungarian Rhapsody | |
| 4 | The Nutcracker Suite | |
| 5 | Enigma Variations | |
| 6 | Moonlight Sonata | |
| 7 | Trout Quintet | |
| 8 | La Traviata | |
| 9 | Peer Gynt Suite | |
| 10 | Symphony No. 6 | |
| 11 | The Planets | |
| 12 | Scheherezade | |
| 13 | Minute Waltz | |
| 14 | Images | |
| 15 | The Blue Danube |
| A | Journey To Silence | 9:07 |
| B1 | Sex And Lies | 7:44 |
| B2 | A Quiet Passing | 6:34 |
| Popular | ||
| A1 | America | |
| A2 | Scarborough Fair | |
| A3 | A Couple Of Swells | |
| A4 | Skyliner | |
| A5 | Girls Kalinka | |
| A6 | Mission Impossible | |
| Classical | ||
| B1 | Sinfonia In C, Wq. 182, No. 3 – 1st Movement: Allegro Assia, 2nd Movement: Adagio | |
| B2 | Hear Ye, Israel | |
| B3 | Judux Crederis |
| A1 | Technopolis | 4:14 |
| A2 | Zoot Kook | 6:16 |
| A3 | Listen To Me | 4:23 |
| B1 | Heat Scale | 5:13 |
| B2 | Connection | 5:03 |
| B3 | Nuit De Saint-Germain | 4:08 |
| 1 | Full Circle | 5:28 |
| 2 | Walk The Walk | 5:17 |
| 3 | Kool | 4:52 |
| 4 | Pillars | 4:45 |
| 5 | Fistful Of Haggis | 6:44 |
| 1 | Blue And Sentimential | |
| 2 | It Never Entered My Mind | |
| 3 | God Bless The Child | |
| 4 | I Can’t Get Started | |
| 5 | Search For Peace | |
| 6 | Once In A Lifetime |
| 1 | Smile | |
| 2 | (Looking For) The Heart Of Saturday Night | |
| 3 | O Ceu | |
| 4 | A Little Warm Death | |
| 5 | 210 West | |
| 6 | Autumn Leaves |
| A1 | Goodnight Nelda Grebe, The Telephone Company Has Cut Us Off | |
| A2 | Dissimilitude | |
| A3 | Let’s Make It | |
| A4 | 24 Hours Of The Day | |
| A5 | Let Your Lovelight Shine | |
| A6 | Melancholy Lady | |
| B1 | No Chance With You | |
| B2 | Hey Baby | |
| B3 | The Steamer | |
| B4 | Summertime Blues | |
| B5 | Up In Heah | |
| B6 | I Wonder Who |
| A1 | This Is My Song | |
| A2 | Spanish Harlem | |
| A3 | Silhouette Hula | |
| A4 | More | |
| A5 | Poppa Yo Quero | |
| A6 | Somewhere My Love | |
| B1 | 633 Squadron | |
| B2 | Exotica | |
| B3 | Michelle | |
| B4 | Strangers In The Night | |
| B5.a | Limelight | |
| B5.b | Theme From Modern Times | |
| B6 | St. Louis Blues March |
| Workshop | ||
| 1 | Requiem – Lacrymosa; Amen | 4:01 |
| Opera Special | ||
| 2 | Dalibor – Act 2, “Nebyl To On Zas?” | 6:29 |
| 3 | Il Trovatore – Act 4, Scene 2, “Madre, Non Dormi” | 5:13 |
| Features | ||
| 4 | Israel In Egypt – Part 2 – “And With The Blast Of Thy Nostrils” | 2:45 |
| 5 | Missa Videte Miraculum – Agnus Dei | 6:47 |
| 6 | Symphony No. 1 – First Movement, Adagio Molto; Allegro Con Brio | 9:16 |
| Reviews | ||
| 7 | Piano Concerto In A Minor – Finale, Allegro Moderato Molto E Marcato | 4:57 |
| 8 | El Amor Brujo – El Aparecido; Danza Del Terror | 2:22 |
| 9 | Concerto Grosso No. 8 in F Minor, “Christmas”, Op.1 – Grave; Vivace | 3:29 |
| 10 | Cello Concerto, Op. 129 – First Movement “Nicht Zu Schnell” (opening) | 5:47 |
| 11 | String Quartet In E Flat Major, “Joke” Op.33 No 2 – Presto Finale | 3:11 |
| 12 | Unaccompanied Violin Sonata In A Minor, Op.91 No.1 – Allegro | 3:13 |
| 13 | Les Nuits D’été – Au Cimetière | 5:26 |
| 14 | Leroy Kyrie | 3:48 |
| 15 | Konzertstück In F Minor – Allegro Passionato -Tempo Di Marcia | 6:38 |
| A1 | Captain Coulston | |
| A2 | Richmond | |
| A3 | The Irish Washerwoman The Ash Plant | |
| A4 | The King | |
| A5 | Poem | |
| A6 | Murder Of Maria Marten | |
| B1 | Rave On | |
| B2 | I Live Not Where I Love | |
| B3 | Captain’s Log | |
| B4 | Rod’s Song | |
| B5 | Lord Randall | |
| B6 | Yarrow | |
| B7 | Welcome Home |
| A1 | Captain Coulston | |
| A2 | Richmond | |
| A3 | The Irish Washerwoman The Ash Plant | |
| A4 | The King | |
| A5 | Poem | |
| A6 | Murder Of Maria Marten | |
| B1 | Rave On | |
| B2 | I Live Not Where I Love | |
| B3 | Captain’s Log | |
| B4 | Rod’s Song | |
| B5 | Lord Randall | |
| B6 | Yarrow | |
| B7 | Welcome Home |
| 1 | Gregorian Chant For Good Friday | 3:49 |
| 2 | Gregorian Chant For Pentecost | 3:05 |
| 3 | O Viridissima Virga | 4:45 |
| 4 | Italian 14th Century – Chominciamento Di Gioia | 7:23 |
| 5 | Italian 14th Century – Belicha | 2:11 |
| 6 | Italian 14th Century – Saltarello 2 | 1:47 |
| 7 | Intemerata Dei Mater | 8:10 |
| 8 | Fantasia (55) | 5:07 |
| 9 | From The Mulliner Book – Galliard | 4:44 |
| 10 | Entrada | 3:38 |
| 11 | Spanish 16th Century – Guardame Las Vacas | 2:19 |
| 12 | Faute D’Argent | 2:00 |
| 13 | Spanish 16th Century – Conde Claros | 3:37 |
| 14 | Have Mercy Upon Me, O God | 3:12 |
| 15 | La Pastorella Mia | 3:01 |
| 16 | Missa Papae Marcelli | 4:31 |
| 17 | Fantasia In C Minor | 4:57 |
| 18 | Suite In F Major – Gigue | 1:52 |
| 1-1 | Red Red Wine | |
| 1-2 | Boombastic | |
| 1-3 | The Tide Is High | |
| 1-4 | The Prince | |
| 1-5 | Summertime | |
| 1-6 | People Everyday | |
| 1-7 | I Wanna Be The Only One | |
| 1-8 | Stay In The Sun | |
| 1-9 | Smile | |
| 1-10 | Go West (Farley & Heller Mix) | |
| 1-11 | Movin’ | |
| 1-12 | It’s A Shame (My Sister) | |
| 1-13 | Let’s Go Round Again | |
| 1-14 | Why Do Fools Fall In Love | |
| 1-15 | Spice Up Your Life | |
| 1-16 | I Want You Back | |
| 1-17 | Everything I Own | |
| 1-18 | The Harder I Try | |
| 2-1 | In The Summertime | |
| 2-2 | That Girl | |
| 2-3 | Cantaloop | |
| 2-4 | Thinking About Your Love | |
| 2-5 | Natural Thing | |
| 2-6 | Good Life | |
| 2-7 | Spend The Day | |
| 2-8 | Let Your Yeah Be Yeah | |
| 2-9 | Hey You The Rock Steady Crew (12″) | |
| 2-10 | Walk Of Life | |
| 2-11 | We Have All The Time In The World (Copa Cabana Version) | |
| 2-12 | California Dreamin’ | |
| 2-13 | One Better Day | |
| 2-14 | Some Like It Hot | |
| 2-15 | Dont’t You (Forget About Me) | |
| 2-16 | Drinking In L.A. | |
| 2-17 | The Life Of Riley | |
| 2-18 | Tequila | |
| 3-1 | Mi Chico Latino | |
| 3-2 | Piece Of My Heart | |
| 3-3 | Baby Come Back | |
| 3-4 | Lovesick | |
| 3-5 | Keep On Moving | |
| 3-6 | Wild World | |
| 3-7 | Tomorrow People | |
| 3-8 | I Turn To You | |
| 3-9 | Mr. Wendal | |
| 3-10 | I Know What Boys Like (He’d Boys Seka Mix) | |
| 3-11 | Ring My Bell | |
| 3-12 | Everybody’s Free (To Feel Good) | |
| 3-13 | Here’s Where The Story Ends | |
| 3-14 | Before Today | |
| 3-15 | Hot In The City | |
| 3-16 | Rio | |
| 3-17 | Summer Fun | |
| 3-18 | The Power Of Love |
| A1 | George Collins | |
| A2 | Henry Martin | |
| A3 | Brave Wolfe | |
| A4 | Pace-Egging Song | |
| A5 | The Droylsden Wakes | |
| A6 | John Barleycorn | |
| B1 | The Bonny Ship The Diamond | |
| B2 | The Blackleg Miners | |
| B3 | The Jolly Wagonners | |
| B4 | The Trimdon Grange Explosion | |
| B5 | The Sweet Primroses | |
| B6 | The White Cockade | |
| B7 | Johnny Todd |
| A1 | Whip Jamboree | |
| A2 | Hedgehog Pie | |
| A3 | The Sailor Cut Down In His Prime | |
| A4 | Fair Rosamund | |
| A5 | Fourpence A Day | |
| A6 | Master McGrath | |
| B1 | Buy Broom Besoms | |
| B2 | The Overlander | |
| B3 | The Broom Of Cowdenknowes | |
| B4 | Rambleaway | |
| B5 | Buck Dancer’s Choice | |
| B6 | Night Visiting Song |
| A1 | Heave Away My Johnny | |
| A2 | Skewball | |
| A3 | The Cutty Wren | |
| A4 | Let No Man Steal Your Thyme | |
| A5 | Dr. Gilbert | |
| A6 | Blow The Man Down | |
| B1 | Jug Of Punch | |
| B2 | Up The Raw | |
| B3 | Donal Don | |
| B4 | My Bonny Bonny Boy | |
| B5 | Miners’ Dances | |
| B6 | Johnie Cope |
