Showing 400–420 of 759 results
| Symphony No. 8 |
| Symphony No. 8 |
| Symphony No. 8 |
| 1st Movement: Allegro Maestoso | 20:22 | |
| 1a | (II) Mit Durchaus Ernstem Und Feierlichem Ausdruck | |
| 1b | (III) Sehr Mässig Und Zurückhaltend | |
| 1c | (IV) Schnell | |
| 1d | (V) Tempo I | |
| 1e | (VI) Tempo Sostenuto | |
| 2nd Movement: Andante Moderato | 9:55 | |
| 2a | (II) Sehr Gemächlich | |
| 2b | (III) Nicht Eilen | |
| 2c | (IV) In Tempo I. Zurückkehren | |
| 2d | (V) Tempo I. Energisch Bewegt | |
| 2e | (VI) Wieder Ins Tempo Zurückgehen. Tempo I | |
| 3rd Movement: In Ruhig Fliessende Bewegung | 10:19 | |
| 3a | (II) (Bassoon & Violas) | |
| 3b | (III) (Piccolo) | |
| 3c | (IV) Vorwärts | |
| 3d | (V) Sehr Getragen Und Gesangvoll | |
| 3e | (VI) Zum Tempo I. Zurückkehren | |
| 3f | (VII) (Trumpets & Trombones) | |
| 3g | (VIII) (Violas, Cellos & Basses) | |
| 4th Movement: ‘Urlicht’ (From ‘Des Knaben Wunderhorn’) | 4:57 | |
| 4a | Sehr Feierlich, Aber Schlicht | |
| 4b | (II) Etwas Bewegter | |
| 5th Movement: Im Tempo Des Scherzo’s (Text: ‘Die Auferstehung’) | 32:18 | |
| 5a | (I) Wild Herausfordernd | |
| 5b | (II) Langsam | |
| 5c | (III) Im Anfang Sehr Zurückgehalten | |
| 5d | (IV) Wieder Sehr Breit | |
| 5e | (V) Maestoso. Sehr Zurückhaltend | |
| 5f | (VI) Kräftig | |
| 5g | (VII) Wieder Zurückhaltend | |
| 5h | (VIII) Sehr Langsam Und Gedehnt | |
| 5i | (IX) Langsam. Misterioso | |
| 5j | (X) Langsam Ppp. Misterioso | |
| 5k | (XI) Etwas Bewegt | |
| 5l | (XII) Mit Aufschwung, Aber Nicht Eilen |
| Symphony No. 8 In E Flat / Symphony Of A Thousand |
| The Three Elizabeths Suite | ||
| Symphony No. 1, Op. 22 | ||
| 7 | Romanian Rhapsody No. 1 | 12:46 |
| 8 | Tritsch-Tratsch-Polka | 2:39 |
| A | Rodrigo’s Guitar Concerto De Aranjuez (Theme From 2nd Movement) | 3:55 |
| B | Mirage | 4:29 |
| Concierto De Aranjuez | ||
| Concierto In A Minor |
| Concierto De Aranjuez | ||
| Concierto In A Minor |
| Introducción | 18:14 | |
| Primera Parte: | ||
| A1.I | Atardecer | |
| A1.II | Danza De La Molinera (Fandango) | |
| A1.III | Las Uvas | |
| Segunda Parte (I): | ||
| A2.I | Danza De Los Vecinos (Seguidillas) | |
| Segunda Parte (II): | 21:03 | |
| B1.I | Danza Del Molinero (Farucca) | |
| B1.II | Danza Del Corregidor | |
| B1.III | Danza Final (Jota) |
| A | Strange Music | 2:49 |
| B | I Love Thee | 2:28 |
| Part 1: Gilgamesh | ||
| 1 | Gilgameš (Chorus, Bass) | 5:19 |
| 2 | Člověka Neznal Ni Vlast (Chorus, Speaker, Bass, Tenor) | 7:19 |
| 3 | Já K Tobě Vzhlížím (Soprano) | 2:19 |
| 4 | I Souhlasil V Nitru Svém (Speaker, Chorus) | 2:45 |
| Part 2: The Death Of Enkidu | ||
| 5 | Nám Všem V Úděl Určena Je Smrt (Chorus, Speaker) | 3:32 |
| 6 | Mné V Pulnůci Zdálo Se Právě (Tenor, Chorus) | 3:28 |
| 7 | Nářek Můj Slyšte (Baritone, Chorus) | 2:47 |
| 8 | On S Druhem Sdílel Života Běh (Baritone, Chorus) | 2:36 |
| 9 | Skon Přitele Mého Mne Zdeptal Težče (Baritone, Chorus) | 5:05 |
| Part 3: Invocation | ||
| 10 | Gilgameš, Odekdy Síly Pozbyl? (Soprano, Baritone) | 3:28 |
| 11 | Gilgameš, Jenž Nevnikl (Speaker, Chorus, Soprano) | 4:29 |
| 12 | Otče Enlile! (Soloists, Chorus) | 5:38 |
| 13 | Vypověz Mi, Druhu Můj, O To Tě Žádám (Baritone, Bass, Chorus) | 3:48 |
| Sonata No. 1, H 277 (1939) For Cello And Piano – A Pierre Fournier | 17:00 | |
| Variations On A Slovak Theme, H 378 (1959) For Cello And Piano | 9:05 | |
| Sonata No. 2, H 286 (1941) For Cello And Piano – To Frank Rybka | 18:37 | |
| Variations On A Theme Of Rossini, H 290 (19420 In D Major For Cello And Piano – To Gregor Piatigorsky | 7:39 | |
| Sonata No. 3 H 340 (1952) For Cello And Piano – In Memory Of Hans Kindler | 17:50 |
| Billy The Kid | ||
| Rodeo: Four Dance Episodes |
| A1 | 1. Menuet-Badinerie (Extraits De La Suite En Si Mineur) | |
| A2 | 2. Tempo Giuso (Extrait De La Sonate En Sol Mineur) | |
| A3 | 3. Allegro (Extrait Du Concerto En Si Bémol Majeur) | |
| A4 | 4. Largo (Extrait Du Concerto En Re Majeur) | |
| A5 | 5. Toccata | |
| A6 | 6. Choral Du Veilleur (Extrait De Cantate BWV 140) | |
| A7 | 7. Allegro (Extrait Du Concerto Pour 2 Trompettes En Do Majeur) | |
| B1 | 8. Final. Allegro (Extrait Du Concerto En Mi Bémol Majeur) | |
| B2 | 9. Larghetto (Extrait Du Concerto En Mi Bémol Majeur) | |
| B3 | 10. Allegro (Extrait Du Concerto En Ré Majeur) | |
| B4 | 11. Andante (Extrait Du Concerto En Mi Majeur) | |
| B5 | 12. Final. Giocoso (Extrait Du 2e Concerto Pour Trompette) |
| 1 | Bolero | 13:48 |
| 2 | Valses Nobles Et Sentimentales | 16:22 |
| 3 | Pavane Pour Une Infante Defunte | 5:35 |
| Piano Concerto in G | ||
| 7 | Tzigane | 10:17 |
| Gaspard De La Nuit – 3 Poèmes Pour Piano D’après Aloysius Bertrand | ||
| Sonatine | ||
| Valses Nobles Et Sentimentales |
| Variations And Fuge On A Theme By J. Adam Hiller, Op. 100 |
| 1 | Trio H-moll Op.2 Fur Klavier, Violine, Viola | |
| Sonate B-dur Op. 107 Fur Viola Und Klavier |
| 1 | Overture To ‘Die Heimkehr Aus Der Frernde’ (‘Son And Stranger’) | 6:49 |
| Symphony No. 3 In A Minor, Op. 56 ‘Scottish’ | ||
| 2 | Andante Con Moto – Allegro Un Poco Agitato – Assai Animato | 14:13 |
| 3 | Vivace Non Troppo | 4:26 |
| 4 | Adagio | 9:40 |
| 51 | Allegro Vivacissimo – Allegro Maestoso Assai | 9:58 |
| Sonata For Violin And Piano In F Minor, Op. 4 | ||
| 6 | Adagio – Allegro Moderato | 8:39 |
| 7 | Poco Adagio | 8:00 |
| 8 | Allegro Agitato | 5:22 |
| 1 | Overture To ‘Die Heimkehr Aus Der Frernde’ (‘Son And Stranger’) | 6:49 |
| Symphony No. 3 In A Minor, Op. 56 ‘Scottish’ | ||
| 2 | Andante Con Moto – Allegro Un Poco Agitato – Assai Animato | 14:13 |
| 3 | Vivace Non Troppo | 4:26 |
| 4 | Adagio | 9:40 |
| 51 | Allegro Vivacissimo – Allegro Maestoso Assai | 9:58 |
| Sonata For Violin And Piano In F Minor, Op. 4 | ||
| 6 | Adagio – Allegro Moderato | 8:39 |
| 7 | Poco Adagio | 8:00 |
| 8 | Allegro Agitato | 5:22 |
